Panasonic VariCam AU-V35LT1G LT - Camera

Reference: PA-CR-NAAUV35LT1G

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Panasonic VariCam AU-V35LT1G LT - Camera
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The cinematic look of VariCam in the palm of your hand The VariCam LT offers extraordinary image quality to realize your "vision". The VariCam LT: compact, light and high-end cinema quality! The advanced grading tools, file management and proxy recording features built into the VariCam LT are a "game changer" for workflow optimization. The VariCam LT comes in a lightweight, compact magnesium body and offers the same image quality as the larger VariCam 35 camera. The Super 35 sensor, identical to that of the VariCam 35, has a wide dynamic range, an extended chromatic range and a high sensitivity for image acquisition in 4K. It has two native ISOs of 800 and 5000. The native sensitivity of ISO 5000 promotes clear shots in very low light conditions. Its size and design allow for a wide range of shooting styles. This new camera can also be used in an ergonomic and comfortable shoulder configuration or even be mounted on a support or a drone. The VariCam LT incorporates a new feature with its EF lens support*1, which allows you to tap into a wide choice of lenses. The EF*1 mount can be removed by the end user and replaced with a PL mount (optional) providing even more lens choices. The workflow of the VariCam LT is very similar to that of the VariCam 35. Both cameras incorporate a dual codec recording feature allowing the user to record to a primary codec as well as a smaller proxy file. Additionally, each camera has built-in color grading and supports AVC-Intra 4K and Apple ProRes*2 codecs. The VariCam LT, an impressive cinematic image quality Same sensor as the VariCam 35 The VariCam LT is equipped with the Super 35 MOS sensor specially designed for the VariCam 35. It allows 4K (4096×2160) and UHD (3840×2160) resolution ) and offers high sensitivity, low noise, wide dynamic range and cinematic depth of field. This sensor received the Hollywood Post Alliance Engineering Excellence Award 2015. Wide dynamic range of 14 steps The camera has a dynamic range of 14 steps which allows to obtain a precise image in its entirety, in dark as well as bright areas . Even when shooting low-light scenes, especially important in motion picture productions, the VariCam LT provides very low-noise images without any compromise in quality. The "V-Log" technology is able to create the 14 steps of the dynamic range thanks to the sensor of the VariCam LT, thus enormously increasing the possibilities of creation. Dual native ISO settings of 800 and 5000 The VariCam LT features two native ISO settings: 800 and 5000. This provides high sensitivity while maintaining low noise levels at ISO 5000. The noise level at ISO 5000 is almost identical to that seen at ISO 800. In order to achieve this result, two analog circuits have been integrated into each pixel of the VariCam LT sensor: one per native ISO. The sensitivity of the camera is thus higher without the noise increasing. Usually with digital cameras, the noise is due to the process of increasing the ISO sensitivity. This feature of the VariCam is revolutionary for filming low light scenes, this sensitivity of 5000 ISO allowing in particular to film in natural light to preserve the atmosphere and make it more realistic. Extended chromatic gamut The VariCam LT is equipped with "V-Gamut" technology which gives it a wider chromatic gamut than that of conventional films. V-Gamut technology also includes the entire BT color space. 2020. Scene File and V-LOOK The "V-Log" gamma curve achieves 14-step dynamic range and facilitates color grading adjustments in post-production. The VariCam LT also has a new scene file function with 5 positions. VariCam-LOOK (V-LOOK) mode is a newly developed setting aimed at creating cinematic images without color grading. A newly designed gamma curve to retain detail over a wider tonal range in the Rec 709 color space has also been incorporated into the VariCam LT. The "V-709" gamma setting provides a tone suitable for viewing on standard monitors while the "BC-LOOK" creates an appearance resembling classic TV pictures. Monitor Output Terminals When shooting in 4K, the VariCam LT allows down-conversion to Full HD via two 3G HD SDI outputs and one VF (BNC) output. Your viewfinder image with built-in color grading and information overlay can be applied to every output. Advanced Shooting Features for Movie Making 4K / 60p Native Resolution The maximum frame rate when shooting in 4K (4096×2160) or UHD (3840×2160) and 60p (60 fps). This enables smooth high-resolution image reproduction when recording fast action scenes. 2K & HD / 240p Slow Motion When shooting in 2K (2048×1080) and HD (1920×1080) resolution, a high frame rate of 240 fps can be used to produce extreme slow motion. This result is obtained by cropping the area recorded by the image sensor in order to acquire an increased scanning speed. Variable frame rates ranging from 1 to 120 fps are possible in AVC-Intra 2K422 and from 120 to 240 fps in AVC-Intra 2K-LT. The frame rate can be changed during recording. Infrared (IR) shooting The VariCam LT incorporates a removable infrared filter. The user can shoot in infrared to obtain 4K images during night scenes without lighting. This is ideal, for example, for filming wildlife without lighting. The IR filter can also be used during the day, as a creative tool to obtain unique images. Control interface with integrated monitor The control interface incorporates a 3.5 type LCD screen. It can be used to access menu commands or as a monitor to get a live preview. Keys and buttons are distributed around the screen for fast and precise operation. Frequently used settings are directly accessible. The removable structure allows the camera to be controlled from a distance of up to 90 cm. Standard HD SDI interface for the viewfinder The VariCam LT has a standard BNC connector for the viewfinder. Users can choose from various HD monitors or viewfinders in addition to Panasonic's new viewfinder (AU-VCVF10G). DC power and connectors for Panasonic viewfinder control are also provided. Strength, Durability and Reliability The lens mount is made of stainless steel and is designed to prevent flange shifting caused by temperature changes. The camera housing is made of rigid magnesium. The upper and lower faces are flat for easier installation of the various plates and various accessories. Fixing holes are present on both sides as well as on the handle for mounting accessories. New accessories include the new AU-VSHL2G shoulder pad and AU-VGRP1G grip. Revolutionary workflow: multi-codec and dailies integrated 4K/UHD/2K/HD multi-codec recording AVC-Intra 4K is an intra-frame compression codec suitable for 4K cinematographic productions. Thanks to it, the VariCam LT can record in 4K (4096×2160) or UHD (3840×2160). For 2K recording, the VariCam LT supports AVC-Intra 2K444/2K422/2K-LT codecs. For HD recording, the VariCam LT supports AVC-Intra 444/422/100/LT and Apple ProRes 4444/HQ codecs. Using the 256GB expressP2 card, the camera can record approximately 90 minutes of 4K/23.98p video with the AVC-Intra 4K422 codec. * ProRes is licensed from Apple Inc. Apple ProRes codec is licensed from Atomos. Atomos is a trademark and copyright of Atomos Global Pty. ltd. Built-in Color Calibration The VariCam LT incorporates a color calibration function (3D LUT/CDL). It allows you to adjust the colors on the set or in the field, using the control interface or third-party software. As a result, dailies, which were previously created after the fact, can now be produced directly with the camera on set. Calibration information, such as 3D LUTs and CDLs, can be saved with the image data, providing the editing team with the same quality shot created on set . Main and proxy recording In addition to recording in the main codec, the VariCam LT is capable of recording files to an SD memory card. This feature allows recording an ungraded 4K master format with V-Log function to an expressP2 card while simultaneously recording graded HD files to the SD memory card. The first recording mode is used to create a deliverable while the proxy recording is for viewing and editing. The names and time codes of each file match exactly. Flexible System Configuration *1: Panasonic does not guarantee the compatibility or performance of all EF lenses. For details, check the updates on the Panasonic website. *2: ProRes is licensed from Apple Inc. Apple ProRes codec is licensed from Atomos
PANASONIC
PA-CR-NAAUV35LT1G

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